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2004年冬天開始製作首張個人英文創作專輯,爾里的音樂旅程有如一輛隱形巴士,馳騁於真實與奇異之境。專輯完成於2008年夏天,音樂歷程呈現散步之姿而非賽跑態勢。並非出自學院背景的爾里,1997年學習了七堂課基礎吉他,之後進入吉他自學過程。98年開始創作,累積更多作品後,漸漸在2004年冬天進行錄音,此張專輯Something Above All中的曲目都是1999年前後之作。風格傾向前衛、幻想、爵士、個性。好似故事畫面與太空感交錯。Something Above All專輯對爾里的意義,是一種不顧一切地把初始的音樂性格與原始稜角保存在如復刻記憶中的一種特別,那個此生最忠於音樂出生地的一刻,被寫入這張專輯了。


回溯更早的童年,爾里肯定自己的音樂天份源自於她的媽媽:嬌媽咪。嬌媽咪自小是無師自通自學鋼琴,在殿堂為世人彈奏詩歌,所以她與媽媽最真切的共同回憶之一,是那一首首詩歌篇篇。意識到體內流著媽媽的音樂底藴,爾里此生最感謝的音樂啓蒙者,正是她的嬌媽咪。而爾里還有一位姊姊也擅長彈奏鋼琴、同樣接續了媽媽天份彈奏樂曲。心疼姊姊常年地埋首於工作而沒有再精進琴藝,爾里另一個心願之一,是希望姊姊有一天能籌劃一場個人的鋼琴獨奏會,讓媽媽和她再感動一次。她時常憶起青少年時期伴她讀書的一架老式收音機,播送的七、八〇年代西洋音樂。音樂之河持續帶她走著,感受一切。

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    Something Above All has never been for digital sales, and it was for some faith from the beginning. We believe in the good feeling to keep a physical album of music you favor, and play it by simply pressing the key on the music player for the entire repertoir. During the fifty more or less time while you stay with listening to the same singer, it seems to have created an atmosphere to immerse the mood in the time machine. And much more does the physical album remain at hand. Therefore we also seem to want to keep this faith of retaining the good side of only physical album available, and with the hope to meet up with listeners who share the same thought. Yet with the trend of resource saving plus environmental protection, Something Above All would be our first and last physical CD to be kept. Try have a sample listening with a click here before getting one  copy from Downtown Music Gallery (Search keyword SOMETHING ABOVE ALL on the searching bar)

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